Episode 160

Nurture your inner rebel

What if it’s punk to pause? To quote the Nap Bishop Tricia Hersey, that “rest is a form of resistance”?

Caro Turlings and Jobbe Holtes are multi-talented creatives and Vision alumni with a deep love for music, dancing, and dressing up. They join Laurence and Carlos to explore

  • How to forget DIY and embrace DIT (Do it Together)
  • Stepping out and stepping up
  • How creativity, rest, and discovering the rebel within can help to fuel the change you want to create in the world.

If you want to make a positive impact but think the only way through is to push until you burn out, this conversation will help you find a new way to make a difference more sustainably.

Links

Transcript
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Why don't we start in traditional fireside, uh, sort of tradition and get

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each of you maybe just to share a little bit about, bit about your own work,

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I think, 'cause obviously you've come together in life and now in business.

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So curious to share more, maybe a little bit about your own sort of career and

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journey, what got you to this point?

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And, and then maybe we can pick up there about where you got

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to with this collaboration.

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So maybe Caro, do you wanna start as a fellow designer?

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Maybe share a little bit more about your Yes.

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Journey.

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Well, the, the art behind me is from my daughter, so it's not my own art.

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But, uh, yeah, so came from a graphic design point, art school, creating

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lots of visual things, um, um, making other people's dreams and visions more

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beautiful in the last 16, 17 years.

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Uh, yeah, and it's been already, uh, I feel two lifetimes ago that

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I started as a graphic designer.

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I had a, another life as a nightclub, nightclub host and a catering

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company, almost 10 years ago.

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And then I came back to graphic design again, and after a few years I was

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like, Hey, uh, something stirring in.

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Uh, and then I found a vision, uh, 2020 program, a year and a half ago.

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I've had harder times in my life as well, so finding my own spark is,

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has been a topic, that reoccurred during, uh, the fish in 2020, um, which

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berted the project, spark land, dance.

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And now also, also the, uh, road that I'm walking with Jobbe with the Rebel retreat.

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So, um, finding your inner rebel, finding your inner spark, they're all connected.

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Uh, and this is what, if you show up in life authentically, you need

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to nourish because otherwise you don't know why you're doing it.

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So yeah.

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Yba over to you.

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Well, I've

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been, uh, the owner of a company for about 12 years, I guess 10 to 12 years.

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It was called One Day Artists.

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And we connected, art, uh, visual artists to educational programs, uh, at local

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schools, like high schools workshops.

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And the idea was to change the perspective of on your own

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surrounding, uh, via the art.

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So art can be like a very broad, uh, spectrum to use, uh, not

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only as self expression, and it was really beautiful to do.

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before that I used to be a, a visual artist myself.

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Uh, actually I still think I am a visual artist, but I have

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a deep love for making music.

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uh, I used to play in a band and I recently picked up

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making music on my own again.

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Because I lost a little bit, like my spark on making music.

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So this is all a little bit connected.

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While, while stopping my company, I decided to try and sell my company

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and, uh, fabulously failed at it.

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So there was actually one of my mantras was adventures Failure.

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And I definitely hacked myself into failure, uh, because I didn't sell my

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company, but decided I was totally not happy, uh, in this function anymore.

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And, uh, also found, uh, out about, uh, happy Startup Camp, uh, and

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then the Fish in 2020 program.

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Uh, and there I understood that I have something that I needed

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to learn with the liminal space.

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So I decided to learn more, more about liminal space and, while being also, I.

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I don't know, trying to create new stuff.

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I found myself painting other people's faces at Sparkle and Dance at Kara's

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event, and we decided, yeah, that's something, let's try and figure out what

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liminal space could be and, uh, well this, so to pick up a little bit on that,

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this is, this is my background, like how can I use arts in the broad sense?

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You know, for me it's always very broad.

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So how can I use the arts to, to change perspectives?

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How can we go through liminal space, be in liminal space, and how can we connect

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to an event at Sparkle and dance and wow.

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Uh, that's where I'm right now.

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So, uh mm-hmm.

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Also birthing the Rebel Retreat.

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Actually it's the anti retreat.

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It's not the Rebel retreat, but it's, I dunno, it's, it's the,

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the illustration of Rebel Retreat.

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But there's, I, I feel definitely connected to being a rebel.

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Um, I see myself as a kind of punk inspired person.

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Like, not always a punk, but like really the spirit of DIY.

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The spirit of going forward.

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Yes.

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he's mentioned sparkle and dance, so maybe Caro share a little bit more about.

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What you did before we came into contact with you.

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'cause you were doing bits and pieces, weren't you, with different events you

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said your background was in, not just design, but hosting and all of that stuff.

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So maybe just share a little bit more about sparkling dance and how that came

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about and the other events you were doing.

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You mentioned, um, some drink and draw and things like that.

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Yeah.

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Oh, thank you for, uh, reminding me about drink and control.

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I keep forgetting that's also part of the game.

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Indeed.

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Uh, yeah.

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So, uh, I think for me, hosting is something I do naturally.

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I'm a very, because hospital person, A hos, no, well, a very kind, kind

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person that you want to be around with because I'm nice to be around with.

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Uh, because I love, my love language is food.

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My love language is music.

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My love language is love.

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So yeah, uh, getting people around, uh, a table, a dance floor, a campfire, and.

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Connect on a deeper level.

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Yeah, that's truly what drives me.

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So as a graphic designer, I did a lot of, uh, assignments for other people

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with deadlines, with, uh, uh, uh, invoices, needing to be paid, et cetera.

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So, uh, I lost a little bit of the playfulness of designing because

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still there was like, uh, the desire to create for the sake of creating,

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but I couldn't find a spot in my calendar to do it because I spent

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so much time creating for others.

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And then I just wanted to chill out on the couch and do nothing.

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So, uh, during Corona, we couldn't meet up.

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Because it wasn't allowed.

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So we met up, uh, in a space with lots of space between us and the first edition, I

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think Anna is here as well as a listener.

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We were with four, uh, designers from Hogan, and we started

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the first, uh, drink and draw.

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And, um, the goal for this is to play, to fail, to get rid of your inner critic.

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Uh, the voice that says, this isn't good enough.

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I am not good enough.

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It needs to be perfect.

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It needs to be done.

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It needs to be finished.

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All these voices that might sound very familiar to, uh, the people listening

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here and, uh, in my screen as well.

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And most of the time it's around four to six, seven people around the table.

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Uh, we do a small assignment to fail and then a bigger assignment

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to enjoy the creative process.

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We share our arts supplies with each other, and then we

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do a little show and tell.

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And yeah, it's just a really vibrant place.

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It's like once every two, three months.

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yeah.

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So it sparked joy also with the people who, uh, are regular

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visitors of the drink and draw.

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Um, and the other part I took was, uh, the catering and night clip, uh,

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story adventure, which actually started when I was seven months pregnant.

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So maybe, uh, my hormones were, uh, making me insane in a good,

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uh, but yeah, a, a friend of ours, uh, uh, had a big building.

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It's also the, the place was called The Big Building, and it

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was a creative hub for startups.

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And they had a really giant canteen, which used to be the

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Dutch Post, uh, company was there.

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So they had like, uh, cattles where you could make like 300 liters of

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soup and frying pans and everything.

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And they were looking for somebody to host the space.

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So have like a,

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Living room, uh, living,

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living room vibe in a startup, Hosty building.

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So we did the catering, uh, for, uh, 50 it guys who were there with

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a really cool company from Mark Flatter, who's also a part of the

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Happy Startup School, uh, spindle.

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And they, they were my first, uh, client then.

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So it started to the, it just happens.

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It feels like it just happens whilst being seven months pregnant.

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So my kid was practically born in the kitchen slash in the nightclub.

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and, um, with my previous partner, we, uh, we birthed the, the, the

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project that was happening then.

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So it was lots of, um, things coming together.

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Also, the pressure of a temporary project, 'cause it, the building

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was getting demolished because the station area was being redivided.

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Mm-hmm.

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So, yeah, it was a very intense time.

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Because we worked long hours.

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Uh, I just became a, a parent.

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Uh, I've never had a catering club, a catering company or a nightclub before.

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So all this novelty of just doing pressure going, and now looking back

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at it, 10 years later, I can still see all the beauty of it, but the realistic

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view, uh, if I step back a few years, then it was such hard work, so draining.

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I pushed myself on many levels, which also meant that I was

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burnt out after I got out of it.

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I sometimes gave the example if you have this cloth on your countertop

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table and you rinse it a lot, then that you get holes in it.

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Mm. And then you do like this, and then there's like a few fibers left.

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I actually felt like that after three years of, um,

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doing the big building project.

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So, although I was pursuing a dream of being a, a host, uh, cooking food

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for people, uh, being a nightclub mama, which I really love still to

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do today, but I don't do it all time.

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You still are you still?

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Yeah.

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Yeah.

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I'm, I am, but, but I've made some decisions to do it differently.

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Yes.

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Mm-hmm.

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So very many with, with boundaries.

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Yes.

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Something with boundaries, something with checking in with myself.

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Uh, something with energy, something with h maybe as well.

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Wisdom.

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so I think Spark on dance is all about that.

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Like, it's like the sparkly, bubbly energy that Caro provides while being

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in the, you know, it's not about being the center of attention, but there's

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something about sharing and giving.

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Uh, and also, you know, providing safe space, uh, in a, uh, uh, in

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a, on a, uh, sparkly dance floor, uh, with certain boundaries.

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Also, certain, um, uh, invitations.

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Yeah.

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And certain invitations to people to think, to rethink about life

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choices, but also rethink about how they stand up in life.

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I think this is what you're doing now and this is what

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you bring to sparkle on dance.

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So I really see this as a. You know, progressing, maturing

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mom on the dance floor.

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Yeah, That's also me.

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My kid is all, is nine now.

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So I've learned a lot as a parent as well.

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So maybe we can use this example.

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Before we move on, I'm curious about your love of hosting and community.

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'cause you talked about working nightclubs, doing drink and

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draw, like swipe and dance.

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Now this retreat, like holding space, it feels like a gift.

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You've got a superpower maybe, I dunno if it feels like that, but it

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sounds like, um, from what I know of you and from what y has shared,

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that this is a, a gift you have.

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Can you pinpoint where that's come from?

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Is there any sort of experiences?

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There are some assumptions

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I can make.

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Yeah, sure.

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so my mom came from Poland back in the eighties and I was born from that.

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But the Polish culture is very, uh, food minded.

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So when you, uh, go to somebody's place, there's always cookies, there's

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always, uh, something to drink.

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You never leave without extra food to take home.

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So this is, uh, especially in Dutch culture, that doesn't

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happen in Dutch culture.

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So I must say my Polish roots are really important in this case.

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Uh, my dad was a director in the theater, so I was born born in the theater as well.

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So I like to go backstage, uh, to see, uh, artists getting

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ready for their performance.

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So also the front of house, back of house, is something that feels very natural.

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So also when hosting an event, uh, I am aware of these two worlds that exist.

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So there's the front of the house.

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It's also in the, in a restaurant.

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It's also called front of house, back of house.

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In the kitchen is where the ha where it's happening, where the, the fire is.

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But in front of house people should not notice if there's any stress

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or things are going to shit, or you forgot very important ingredients.

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You just smile and wave, fix it on the go.

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yeah.

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And also I think my personality, I, I really like to say, oh,

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it's not going like this.

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Let's see.

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Okay, we can do it differently.

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So working with, uh, high stress environments, um, maybe it's, uh, uh,

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it's, it can be very toxic because if you only work in high stress

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environments and you only fix last minute stuff, then that's not the way to go.

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But if you can, like, manage the peaks of stress, and also I'm learning to

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prepare much better, uh, every time I do an event and see where the holes

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are, uh, getting a good team behind me.

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So I love working together with other people because yeah,

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everybody brings their own magic.

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So finding the right people that you have a good click with, um, the

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spark that you have between you, then the energy will move and then more

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happens if you, if you do it alone.

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I mean, I can do a lot alone, but it's not just that much fun.

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And I, I make myself my life really difficult if I do stuff alone because

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the only person I'm talking to is myself.

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And at my table in my head, there's a lot of critical people.

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We call them the gremlins.

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They can be there.

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So I met my gremlins during the momentum program as well, which, which was a

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really big struggle, but it also helped me now to realize, oh wait, they are here.

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But when I am at a, in this critical self judging space, it probably means

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that I should talk to another person and reevaluate what's going on.

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Use the mirror of the other one to make sure I get into a regulated state again.

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Yes.

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I'm feeling this, uh, event planning as a spiritual journey, learning

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about yourself in the process of putting yourself out yeah.

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Carlos, with, in relation to, well, as we know with events, it's, it's a

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kind of a unusual business to run and it can be scary kind of being in that

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space where uncertainty happens and like you said, Kara being able to smile

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whilst also underneath kind of going like, what the hell's going on here?

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We've had a few of those.

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Yeah.

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Like there's a, there's a lot there that I was, I was hooking into, not just

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specifically about events, even though totally relating to that, the need to

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be present and work, you know, work with what's happening in the moment,

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uh, as opposed to just panicking and, and, and, and relating to that hosting

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bit, I think is real strong intention, which I, I believe is so important.

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And I feel.

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I, I sense it when I go to events where this hasn't happened, where

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you are felt to feel, you made, to feel like you are belonging.

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You made to feel noticed.

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You're made to feel welcomed.

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And I think there's there too many events where I've been to where you just feel

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like you're being processed through a series of talks or experiences with no

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sense of like, am I supposed to be here?

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Do I, am I, does anyone notice that I'm even here?

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Am I just part of an audience?

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And that for me is, if anything that's, I think that's even as much

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value, if not more valuable than the information that I'm gonna get.

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That real says like, I'm supposed to be here.

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Great.

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And then ah, and Yammer down.

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And then that other part for me around, I think that balance between

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being someone who can fight the fires but not living life as a

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firefighter, because yeah, that whole.

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I don't know, chronic cortisol experience mm-hmm.

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That we can get.

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I, I can, I've seen and I can sometimes get caught myself with, oh

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yes, I need to always be busy, always reacting, always that, as opposed to,

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okay, what did I learn for that last time that I don't wanna do again?

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Yes.

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Mm-hmm.

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It doesn't have to always be this crazy.

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And at the same time, when it does get crazy, I'm gonna deal with it.

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I'm gonna deal with it now and I'm not gonna overthink it.

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and that, not just about events, but I think also the way we can

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run our work and our businesses.

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also loving, imagining the younger Caro being backstage absorbing.

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I'm seeing you a sponge, like absorbing all this stuff, you know, backstage

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at the theater or being around kind of hosting, good hosting from your, uh,

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your relatives and, and just learning, you know, learning rather than, I

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dunno, I'm a believer that community.

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People who start communities tend to have, have experienced it themselves.

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You know, I think it's quite hard to learn how to build community.

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I think you need to be taught it.

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I, I learned you can't build communities.

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You need to nourish them, and they then arise.

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So by building very hard, it's, it's the d it's a different kind of energy.

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Okay.

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So on that yba, I'm curious how you came into this story.

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'cause obviously, Kara, you talked about the big building

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and you got this off the ground.

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Ground felt like a very, well, I'm gonna say busy time, but also it sounds like you

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came out of it needing a break from it.

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But yeah, Jobbe, where, where did you come into the story

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and what was that like for you?

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Well, that's,

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yeah, that's, that's a good question.

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Where did I get into the story?

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I guess.

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With your

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motorbike, I guess.

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I guess with my motorbike.

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Did he ride in?

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He rode in like from the wild west.

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I rode in

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my motorbike.

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Yes.

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That's what, that's how I got into your life though.

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for me also the, you know, this is like the traditional time of cargos.

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Actually on the same time I went also to a happy startup camp and it was

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on the brink of quitting my company.

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So I went to my first happy startup camp.

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Uh, and just two or three days before, uh, my former colleague told me like,

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I don't know everyone to continue, and I just said like, let's quit.

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And then one of the most beautiful experiences that I had on Happy Startup

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Campus that you guys had this like.

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Like a boss workshop and I was like, oh my God, I'm supposed to be here.

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So Carlos, yes, thank you for that.

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I

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said

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I should be there because I had to grieve.

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And then, um, well then as the process of what, what, what am I doing?

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You know, I had, uh, so a little bit before stopping this company because it's,

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uh, that's where it actually started.

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I had this company, but had the feeling that I wanted to do something different.

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It was really fun to have a company and, it felt really successful.

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I think we were just in the niche where everybody needed us.

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Uh, there was enough work, but I didn't felt fulfilled anymore.

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I was, feeling the fireman.

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Uh, I was just working for the sake of others.

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And that's, uh, where I got.

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A little bit burned out.

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So I jumped literally on my moped.

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I got this really silly moped.

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I can tell you, uh, lots of stories about this, but it's not the program right now.

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But I've got a silly moped and I jumped on this moped and I did it

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tour through, uh, through Europe.

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uh, and I came back, and I decided I want to actually do more with the,

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the art in the broader spectrum still.

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Like I am a visual artist.

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I use collage techniques, uh, to help people, uh, get a different

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perspective on questions they've got.

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And I was like, yeah, this, this could be interesting to

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help people think about change.

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And I think change is a really big, uh, thing in my life and probably

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because I'm really bad at it.

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I really don't like change.

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Um, and then figuring it out, uh, uh, whilst doing, uh, vision 2020.

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And so this is all these conversations with all these other people, uh, uh, all

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over the world about what are you doing?

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Uh, how do you think about yourself?

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We figured out like liminal space.

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Uh, actually Lawrence, you introduced it on the first conversation we

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had together, uh, like, uh, how do you feel about liminal space?

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And I was like, what, what's liminal space?

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Although I never heard of the, the, the term I actually already got into

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this lingering in the now feeling.

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Mm-hmm.

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I dunno if that's really like something, if it's tangible, a lingering in the

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now, but it's all about this, this, this transition time and giving your,

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uh, self permission to transition and also the transition of not

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knowing And, um, or the transition.

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Transition two.

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Uh, be able to, to, to embrace not the, the not knowing.

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So I decided to actually shout it out from the roof.

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Like, I don't know, give me work with something I don't know I wanna do

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and all this, and, and I hate change,

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so I'm gonna help I people I hate change.

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Yeah.

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I'm gonna change.

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Yeah.

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So I'm gonna navigate your change because I can't do it.

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And um, and, uh, um, so, so this is the, the process I was in.

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And, uh, I'm still in like navigating my own change, navigating also

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like what's limi liminal space and how can liminal space actually

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pause the system a little bit?

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Mm-hmm.

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And this is, I was brought up, uh, in, in, you know, I, I'm from, from

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the nineties and um, in the nineties I learned to have an opinion of.

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On, on probably every topic you present me.

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I've got an opinion, and I recently learned that this opinion is not like

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an opinion, but actually feeling that I want to, uh, vocalize in a way.

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And it doesn't matter that I have an opinion.

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I learned that we don't help each other with opinion, opinions.

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I like to give you my opinion, but it's not necessarily needed.

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So, um, postponing this opinion was, was a topic for me to, to, to figure out.

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And, and so, uh, still in this process, figuring stuff out, being

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in liminal space, uh, we went to another happy startup camp from

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you last, uh, uh, September.

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And then I spoke to you Lawrence, and you said like, yeah, uh, um, I

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don't, I want to go to Spark on dance.

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And I directly went to Caro.

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I was like, okay, if car, if, if Lawrence is coming to Spark on

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dance, maybe Carlos can come over.

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These are the people you want in your event.

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So.

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We know for sure there are Dutch people, so we can lu in the Dutch

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people via Lauren, St. Carlos.

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Let's get them, invite them and get them over.

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So this is where, where also one of my, I think I'm a really good, uh,

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either you're a strong, big thinker, so I would never make a jump like that.

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I would just say, no, let's meander, let's la la la.

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Jobbe was like, Hey, here's an opportunity.

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Let's make it big.

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And I was like, okay with you.

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I wanna do something big.

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Let's, let's go for it.

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That's,

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that's the punk spirit coming out there, is it?

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Yeah, it is.

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It is.

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And this is actually, so I, uh, we were already involved in each other's projects.

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We, we have very much long conversations about what we're doing, but also trying

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to not only, talk each other into projects, like everybody has his own path.

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But here, there was this, like, this energy going like, okay, Caro,

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I can help you on going somewhere.

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And I, and suddenly I was also really scared because I was

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like, what's my position in this?

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You know, I've got a great idea, but am I even allowed to be in this process?

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And then we started to like, to like figure out like, okay, but

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if we are gonna work together.

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So you're a sparkly, bubbly person, like, uh, with an event, sparkle and dance?

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I'm not really, uh, to be honest, not really seeing

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myself, although very sparkly.

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I'm never connected.

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I don't identify with the work sparkle and dance.

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It's really funny.

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Uh, thing we, we identified, uh, ourselves.

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Somehow.

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So Sparkle is not something that I would identify to, but, uh,

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ignition and Ignite and all these kind of more like action based,

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motorbike terms.

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Motorbike terms, it's like, yeah, I, I can be a spark plug.

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Yes.

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Okay.

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There's a spark in it.

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So then we can, can ignite and then we can go, you know, that

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like, this spirit is really great.

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and then we figured out like, what's like actually your story, my story,

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and how can we relate to each other?

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And then we figured out, like, I see myself as a punk, and Kyle was

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like, I'm not a punk, I'm a pirate.

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Okay, what's the pirate?

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What's the punk?

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How does this,

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Yeah.

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I'm also wearing hats like I'm a pirate.

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And, and we were like, yeah, these are rebels.

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Like, and then suddenly we'll be talking and like, yeah, punk, but also

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like this, and sorry for everybody who identifies as a hippie, I.

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Do love you because I'm a big hippie punk, but I, you know, I was like, I'm

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a little bit fed up with this hippie shit, and, and I'm, and I'm, I'm

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talking about you don't want to slow

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down.

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You want to go faster.

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Yeah.

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Yes.

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I want to go faster, but I see we have to press pause.

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You know, I, I need it.

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So how can we come up with a story that we feel connected to, that's our language,

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which may, which maybe says the same, uh, as every retreat, but I don't want

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to different, I want to be different.

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So I want, I wanted to do something different, and I was like, yeah,

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I want to be different too.

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Let's do something anti Yes.

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And this is also kind.

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The pirate.

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So that's Kato and the punk, that's me.

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And then you've got, also, Kato is like, uh, has a a, a deep Buddhistic background.

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I'm really interested in this philosophy as well.

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And, and then Kara said like, yeah, but I don't want to be that punk on the

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barric cage throw, uh, uh, throwing, uh, bottles of, of, uh, what is it called?

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A Molotov, uh, uh, cocktails, you know,

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Molotov cocktail.

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Yeah.

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I, I do, I do though.

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I do not anymore.

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I don't wanna do

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explosions.

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We don't wanna do explosions.

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We wanna do sparks, sparkly sparks.

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So ignite a fire.

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Mm-hmm.

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And then yes, the story unfolds and that's why it's also nurture your inner rebel.

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So here's also the, uh, the word of 2025 is paradox.

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Paradox, paradox.

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And we noticed that also in our event.

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The paradox is there.

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So it's the feistiness, yet with a soft, um, feel.

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And that's what I love about this.

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Well, just hearing about this, how, how this collaboration has come

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about, but also what each of you brings to it and where you meet in

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the middle, which is really Yeah.

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Nice to hear that you can work together and, and we also rebel

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against each other a lot.

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So a lot not, not to give you a very uh uh, yes.

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Oh yes.

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It is a love story, a loving story.

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But there's also lots of rebellion in, uh, the way we work, how we work, how we want

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to prove our point is the right point.

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And then realizing, no, but we're in it together.

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It's not my point, but it's about the bigger picture.

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Yeah.

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Um, think's so.

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This rebel spirits,

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that's great.

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Creative partnership for me is about that, isn't it?

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And I'm sure whether you're a musician artist like me and Carlos

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running a business together, you come with your different perspectives.

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Um, but it's in that tension that the sparks fly, I think, isn't it

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Well, I guess.

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I guess so.

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And it's also, this tension is really interesting.

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Can be a little bit tedious sometimes or a little bit like exhausting.

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No.

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Um, what I love is like, what you, what you told before Carl about you and

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creating community or nurturing community.

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This is something that also attracts me a lot.

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I'm totally different.

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I'm not really the first person to, uh, give you a lot of attention because I'm,

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I'm not always running, but this is like, community is the first thing that comes

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to mind for me that's super important.

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I'm, I'm living, I'm sitting right now in, in a very large building with

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400 people living around in the same building and, and working around, and

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it's a very big community and I love to fight for this community as well.

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So this is also something that brought us together as well.

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We, we think like, uh, in the same conversation, how can we work together?

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Like what's the new rebel or.

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The punk revolution that we can ignite actually, and that's not only

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putting pause on yourself, but also if we want to, to do stuff different

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because we have the feeling like we want to change something in the world.

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What kind of change do we want to bring them was actually, we figured

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out we do not only want to bring joy or sparks, but we also love

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if people see each other more.

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For the humans they are, you know?

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Mm-hmm.

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There's a lot of friction going on in the world.

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There's a lot of oppositions.

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It would be so lovely to see your neighbor as a person, as a person,

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and what can we learn from this person and, and maybe we're not

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always really well connected, but how can we bring connection and mm-hmm.

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So we decided, actually, this is really rebellious in this world of.

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Hyper individualism.

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And although we recognize the same as you guys are doing a lot of build

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uh, building bridges to together.

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But, but in our community, there's still, I think, I think

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we, we continu continuously, sorry for my pro another words.

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Okay.

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Sorry for this.

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Um, we, we need to, I dunno, embrace this and, and, and

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bring it more into the world.

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Like how do we connect, how can we get back to being human?

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And, and this is actually right now, it's really weird, isn't it?

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This is a, it feels really rebellious to do this.

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It's an act of rebellion to actually slow down to reconnect to your

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neighbors or your local community or the people who need to be around you.

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It's weird though that this sounds rebellious.

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Well, like you said, you're fighting against the system, which

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doesn't necessarily promote that.

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Right.

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It's um.

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We need a new system.

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The current, current system is doing exactly what it needs to do,

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but it's not what the world needs.

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I, I heard that the other day and I was like, that's a good point.

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Capitalism works in a way that it needs to work.

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And individualists, hyper individualism works in a way that it needs to work.

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So, uh, if we can offer new solutions or, views on maybe village

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life is a good way to look at it.

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So if we come to Happy Startup summer camp, it's a tiny village for a weekend,

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and, and, uh, there's a campfire and there's a table to sit at and

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there's dancing and it's just a mini, mini tour, uh, community together.

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Mm-hmm.

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And if I host Sparkle and Dance, that's also what I see.

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So we have delicious food available.

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So you nourish your inner.

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Human being, and there's lovely music to dance on, so you can shake it off

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and leave your daily grind behind and just like feel the real you again.

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uh, and also, uh, maybe to point this out, if you are taking good care of yourself,

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you can take good care of others.

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You've, you have heard me said this much often, uh, this is because then

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your guard goes down and you feel more relaxed and more open, and also you're

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less clingy to being right, for instance.

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So being right is a very narrow minded way of trying to grasp onto something.

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And I think this is also, which comes from Buddhism practicing,

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uh, meditation and mindfulness to get a flexible mindset because.

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Nothing is sure in this world except death in Texas.

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So, mm-hmm.

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Um, uh, by practicing the Buddhistic way of the mindfulness and then knowing

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of the not knowing, which also lingers to the liminal space, uh, yeah, it

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helps you to be more open to the world.

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So, yes, also, I have a lot of assumptions about a lot of things,

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and I try to catch myself every time.

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Like, Ooh, I saw this person and I thought it would be a really unkind person.

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And then we have a conversation and it turns out to be a

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love, lovely human being.

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What made me think that I thought this would be not a nice person, you

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know, it's all the assumptions and the stories that you have, and if you take

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the time to relax a little bit, like pause for a little bit, breathe a little

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bit, and then have an interaction.

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Uh, also this goes for yourself.

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So if you have a really struggling conversation with yourself.

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Breath a little bit, taking a step back and trying again also works.

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I quite liked what you were just saying, Kara, about being right, and

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I think there's this, what was coming up for this, so there's the, the

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difference between being right or being, there's being right and there's being

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true, and I mean, true to yourself.

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So there's something around when we are interacting with someone, and

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I, I was hearing like the creative tension between, between yourself

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and the other, because you're both trying to be true to yourselves.

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That whole, so the, the how, the initiative, this, you know, in a rebel,

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this idea of bringing these two worlds together wasn't about, all right, whose

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idea am I gonna, uh, whose idea is it and how am I gonna work with that?

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It's like, how am I gonna bring myself, how am I gonna bring you?

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Who are we?

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So that inner clarity, like, I'm a punk, I'm a sparkle person, I'm

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about rest, I'm about activism.

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Okay, fine, we got that.

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Let's put that in a soup.

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And then what comes out from that as opposed to, you know, manufacturing

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it just purely from one perspective, but then that, that creates tension.

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There's uncertainty.

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Where's it gonna go?

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And I think there, you know, a lot of us who are maybe wedded to a more structured,

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safe way of building something.

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Might be, feel that, feel that there's a risk there.

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'cause where does it go?

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We dunno where it's gonna go.

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How do we can predict what's gonna be, we don't either.

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Yeah, you're the, but there's, there's stepping into that with that awareness

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rather than holding on tightly.

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Like, I gotta have a plan.

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I gotta know where it's gonna be.

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You know, if I don't know, and I can relate to that feeling and,

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and having an, uh, a discerners, which is, when is that required?

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When do we All right.

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Need to have the plan and when do we need to be in the limit of space for a bit?

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Let go.

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Yeah.

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I love that.

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I think you said yba lingering.

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Lingering in the now.

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That, that feeling I'm sure we can all relate to of like, I wanna

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move, I want to get out of this.

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Discomfort.

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But there's

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time to, well, to, to give you also a little bit, you know, for me, working with

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a lot of lingering in the now is because I need this so much because, uh, you talking

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Carlos about having a structure, most of the times I will be like, a little bit,

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bit like, uh, on the edge of my seat.

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Like Kaha, we need to make a structure right now, you know?

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no, I

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Need structure.

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That's what you say.

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I need structure.

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I need structure right now.

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Need, I demand it.

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And then I'm like, okay, give to me now.

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Yeah.

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And then I say, you don't need structure.

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We just need to have a walk.

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And then we go for a walk.

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I can relate to, yeah, but I've tried to get

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Kara to do some of the exercises on the program and she's like, it doesn't work.

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It doesn't

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work.

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I don't, you can't me in the box.

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I'm a creative, actually, actually, you know, although she's saying I'm

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a pirate, the real rebel could be.

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Actually, isn't it?

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Yeah.

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It's an inception.

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She's, she's never doing what you ask her never working out how you want it to be.

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What's better, better,

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better than your imagines ever.

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It's indeed,

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it's bad.

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Yeah, that's true.

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That's true.

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Indeed.

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The, the, the beauty is about that, uh, actually what you were saying, Carlos,

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um, allow yourself to just go, which is really difficult and can be really scary.

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And the fun thing and being together.

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And this the good part, uh, not only being in a relationship,

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but also like professionally, we are doing this together.

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So there's already two persons in.

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So that's, it gives you some confidence.

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And then, um, we, uh, we have this awesome team of, uh, uh, creative

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people all over the world, uh, that cheering, uh, those are cheering

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us on, so that's also really cool.

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then, then you're building already a platform.

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I don't know for, to be honest.

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we still have to, uh, sell tickets.

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We're still not done doing this retreat.

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And we, we set up this ground rules, like what do we want to

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get out of it and when do we stop?

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And this morning, uh, we were sit, uh, we were sitting together and was

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like, okay, yeah, but we decided we actually wanted to earn money with it.

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But now we already decided we want to continue because it.

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Because we love the energy coming out of it and maybe the money is

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getting a little bit, a bit later.

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So this is this also the struggle, like, investing

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time, investing energy, building the story.

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And I think also you were just, when you were just talking Carlos, I realized,

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uh, we are not building a prod product for people that are asking for something.

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We are creating something because we feel this is necessary.

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And this might also be a little bit more, uh, outside of a comfort zone

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because it's very common nowadays that you click on a link and it says

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you're buying this, this and this.

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This will be the result and it costs you 250 euros.

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Go

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structure certainty.

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Yes.

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So certainty.

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And, and, and then the philosophical side of your bamy gets the over hunt hand.

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' cause we're saying yes, and we are not the persons to say what

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you are getting out of this.

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We don't know either yet.

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We do know a lot.

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So we are giving boundaries.

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We're setting the frame, and within this frame, the magic will happen.

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But we also are very aware of the fact that the way of selling

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magic, uh, is it's not structure.

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So, uh, maybe this is also for some people who are now interested in

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coming, but they don't know yet because they're looking for certainty.

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We can't give certainty, but we can give promises about a space that is well

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designed, uh, with love and care and attention with human beings that are

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very capable of being in this world.

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I love, I love, I love how we're talking about this masculine

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versus feminine energy, you know, uh, like the, the structure.

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And, uh, is it really masculine?

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And like the flowing is like feminine, like how we play with that.

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And this is the thing that I love, what I would love to bring to the world

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more like, can we make, give enough structure to play around and play can be

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like really the fun play, uh, dancing, creating, but, you know, play around

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can be anything like if, as long as is there room for creativity and, um mm-hmm.

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I think you're, you're, you're saying it in a really structurized way.

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Really good.

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Like, um, we're, we're building a platform where we can also allow

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ourselves to discover stuff.

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You know, we're talking about nurturing your inner rebel, but how,

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I don't know how to nurture a rebel.

Speaker:

To be honest.

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Do you know Lawrence?

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How do you nurture your inner level?

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Please tell me.

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That's why I'm coming.

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I'm selling this product and I need to know right now.

Speaker:

So you guys

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knew you're the experts.

Speaker:

We do have a

Speaker:

guide, but Yeah.

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But I, I like, I like the way you described it when we chat the

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other day about this is a quest.

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You're on a quest to understand this better.

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And by holding that space with others, you can co-create

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and work, work out solutions.

Speaker:

If there are

Speaker:

this is a perennial question for anyone we work with in terms of the balance

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between, um, giving birth to something creative that's yours, that's something

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that you wanted to, to bring to the world that you are, is connected to your

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own needs, your own values, something that is, um, close to your heart.

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And then there is.

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Making money or building a business or just funding something.

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Yeah, and just having the, having money to actually make it happen.

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Because at some level we need to pay suppliers, pay for venues, whatever.

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It's, and so on one hand, what I was hearing is like, well,

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we, we don't have a guarantee.

Speaker:

We can't tell you what to do.

Speaker:

We can't say this is going to happen, but what you can do is

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really state a clear intention.

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What you can do is share, where this is coming from at the personal

Speaker:

level you can do is tell a story of your own change and your own wishes

Speaker:

and what what it means for you.

Speaker:

Like hearing you now has helped me understand more and more about why,

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what's motivating you to do this?

Speaker:

Not only a personal story level, but even just what, how do I con, what is it about

Speaker:

my own journey that's connecting to this?

Speaker:

Mm-hmm.

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What is it that I want to get on board?

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What, what's, 'cause there is, there is a story of transformation that

Speaker:

I think you're talking about here.

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Whether it is going from, oh, it's just about taking it easy to being more punk.

Speaker:

Or whether it's being very an ignited to, no, actually I need to pause.

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Like, yeah, I can feel that tension and I can connect to my own need

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to always be that, you know, I need to pause, but at the same time,

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I don't wanna just be passive.

Speaker:

I wanna do something and then to be around other people.

Speaker:

So there's.

Speaker:

There's something here that is at some point, I think gets clear,

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but ultimately it's really about the story and the energy, and I

Speaker:

think you used the word magic.

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It's hard to qualify quite yet.

Speaker:

it's also really

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fun to use this word of magic because there's also, there's this, the,

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the beauty in the magic that there's always, if, if you put it into your uh,

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project, then you also allow yourself to see, and also kind of be curious,

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you know, there's a lot of curiosity in this, being rebellious also, like, you

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know, with the cur curiosity brings you further then there's no right, no wrong.

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There's just a result.

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What you might not really.

Speaker:

Searching for.

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this is, this is what I love about creating this process.

Speaker:

And, and yes.

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And in the end, it is necessary to also make business out of it

Speaker:

because we still need to eat.

Speaker:

I tried sticks, but it doesn't work.

Speaker:

Mm-hmm.

Speaker:

Uh, and, and, and, and I think this, uh, this is a beautiful project that we

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already, both having an art background, we know how hard it can be to earn

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money with more fluid, uh, process.

Speaker:

But I, I, I also know that both have had, uh, businesses, so we know how

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to, to make this into something that's worthwhile, but also worth paying.

Speaker:

Mm. And this is,

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this is the only thing that I recognize is it's for us also a

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bold movement to just try it again.

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And we haven't done a, this, this, this, uh.

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For at least, uh, 10 years.

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You know, it's 10 years ago that we tried another process.

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So it's, it's kind of fun to, to rethink how do I come up

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with a new product right now?

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How do I, I think it's coming up

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for me, hearing you talk is there's, 'cause I, I have a feeling like a lot of

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people sharing in the chat that it'll be great 'cause you guys are at the helm.

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I think the challenge feels like, working out what the story is and the story that

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connects with people and makes sense.

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And I promise that it doesn't deliver.

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And if it doesn't deliver on that promise, where, where does it leave you?

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So actually a, by doing it, you'll hear those stories back

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of what people got from it.

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But the other thing is, that's coming up for me is there's something about.

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I know as someone whose ideas are everything, like anyone who works is

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a knowledge worker or runs their own business, ultimately having space

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for your ideas is so important.

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And yet we don't do it enough.

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We're filling ourselves with stuff all the time.

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Information's being fed to us, we're listening to stuff.

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We're reading stuff.

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We're, you know, just, we don't have space to listen to what's in us.

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And so what I'm hearing from your work and from what's exciting me is

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this idea of getting more into your body, first and foremost by moving

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or playing or using our hands, um, or, or resting, but also creating

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space for that, those inner ideas.

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And maybe there, maybe there is a rebel within us that we haven't yet tapped into.

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' cause you've said I'm a rebel, but you, you've also said, I'm a hippie too, so

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I'm playing a bit of a role, but today I'm gonna be the punk, you know, so it's

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not, I'm that person all the time fully.

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Mm-hmm.

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there's different types of stories within you.

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Uh, so for most, maybe most people will recognize the, the teenage

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rebel that doesn't wanna do homework.

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' cause I met, I met her again during Phish 2020.

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She's like, no, well, homework sucks.

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Who, who are those guys that tell me what to do?

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I'm not gonna do homework.

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And then adults, Kara was like, yeah, but I signed up for

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this program, I wanna do this.

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Mm-hmm.

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But it took me four weeks to get into the mode of I'm actually

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going to do some homework.

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So, getting into a mindset of a, recognizing the rebel and what it wants

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to tell you, that's, uh, also a really good story that, that we're selling, I

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guess.

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Yeah.

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And I guess also like harvesting the energy of the rebel.

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So me, uh, um, more, I'm more from this like.

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Uh, a very energetic background.

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Also, like very, uh, uh, aggressive way of rebels for me.

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tying myself to trees, uh, uh, shouting at the police, sitting

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down, uh, uh, doing riots and stuff.

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Um, you know, in a way it's like really explosive and, uh, her and me were talking

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to each other, like, how does it work?

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Like if you've got a rebel and you recognize your rebel, how can you

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harvest the energy whilst not exploding?

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The, you know, this explosion energy makes a gap.

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You have to repair the road before you can make a fundamental for a new building.

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So explosion is not really something that we want anymore, but so,

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so there's this, this rebels.

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You can spark a rebel, but maybe you can also learn a little bit from this

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energy and tone it a little bit down so you can, uh, I dunno, progress a

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little bit longer on the same energy.

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And also, if you're right,

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makes it sustainable.

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Doesn't that It's sustain Sustainable.

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Sustainable, yes.

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More robust.

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Yes.

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And also a lot of people have this rebel energy already in them and try to change

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something in their, world around them.

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Can, can walk up the walls.

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I dunno if this is a English saying, but, uh, uh, so, sometimes you need to get

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back to like, what does this rebel need?

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And I think this is, how can we nurture this rebel and also make,

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make it sustainable for yourself and, and still love the rebel.

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Who wants to say, fuck you.

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I won't do what you tell me.

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Yes, please.

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I, I was thinking,

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I was thinking if, can I say this

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right here?

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Thank very much.

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I just did.

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You just did.

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exactly that.

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maybe taking it back to the idea of selling this idea.

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And when I think of selling, uh, it's not about convincing someone to do something.

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It's connecting with the people who are already wanting

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to do it in the first place.

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And, and the most important thing that I've, I've learned is to have

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a really clear story about that.

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What you guys are doing right now is this real sense of like, this is the

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kind of person, this is the kind of energy, this is the kind of place.

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And you're saying, oh, I don't really have a, dunno what the promise is.

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I dunno what we're trying, you're telling the story of the outcome

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you're trying to create already.

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And so having that, you know, and it's, it's the work in a sense is

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having that so clear and simply said.

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And then the other part of that is having that spread as far as possible, because

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it isn't about, all right, I wanna try and convince people around me to do this.

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It's like, where are all the people out there who really wanna do

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this, but just don't know where we're here, that we're here.

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Mm-hmm.

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And

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so this is kind of an invitation to anyone listening to this.

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Watching this now is like, if this, if you know that story, spread the story you

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be, you know, if it might not be for you, but it's, if you have a story that that

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can be shared to the, the right person who needs to be at this event can do it,

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then it's not allowed selling anymore.

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It's about, yes, I want to come and, okay, how much is it?

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Full stop.

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So we've got a couple of questions from, uh, from Tia.

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I'm curious to maybe look at these.

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Uh, so one question around, But, um, what does enough structure look like?

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I. This one.

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So when you are talking about this event, it brings up, well it makes me

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think of aptitude and how we host that.

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Carlos.

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You know, the retreat we run there is structure.

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It's much looser than the structure we have at summer camp.

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Summer camp is a lot more, uh, programs.

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We have talks, we have workshops, we have activities.

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Altitude is much more emergent in terms of what happens, what gets

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discussed, the conversations that happen, the, the sessions that get run.

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But there is a structure there.

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this is for, this is based on just purely what I've learned.

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I don't, I don't, I'm not saying I've read anything about this or researched

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this, but be purely from experience.

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My perspective on this is the more clear you are about the journey,

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the more clear you are about the outcome, the more structure you will

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put in is this, is this is this.

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You are going to follow this structure.

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And the more it's about people needing the guidance, needing a certain answer,

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the more structure you'll put in, the more it's about exploration, the more

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it's about people coming and contributing.

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The structure is less about what you do.

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The structure is more about how do we behave with each other?

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Mm-hmm.

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What

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is the cadence?

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Where do we turn up?

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How do we interact?

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To give people a sense of knowing where to be and when and when in that.

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And then creating a safe container or a clear, well safe in the sense

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of we know how we're all gonna behave here, but what happens in

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that container I have no control of, I'm not sure what's gonna happen.

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And so enough structure for me is about understanding who's gonna

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turn up and what is the intention.

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if I should answer this question, we have three topics.

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So it's reconnect, recharge, and reignite.

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So we have figured out some activities around those topics that people can do.

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Uh, mostly creative things like drawing, writing, singing, moving your body.

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dressing up slash making your own outfit kind of thing.

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because for us, a creative thing feels natural.

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So our structure is a, is one of creativity.

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and also what you just mentioned in the second part, it's an exploration.

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So it's about people coming together.

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And we have of course, a timing.

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We start on Saturday noon, and it'll end on Sunday at eight

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in the af in the evening.

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We start with becoming a group, and then we end with giving

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yourself back to yourself again and celebrate, uh, at sparkle and dance.

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Sparkle and, and dance is the end party of, uh, the closing party,

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sorry, of, uh, of the retreat.

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So by giving these topics, it might also emerge for you what, which part

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of your, your inner rebel needs to be.

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Giving some attention.

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So it might be the re-ignition, it might be the reconnection,

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it might be the re recharging.

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Yes.

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Yeah.

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And also what I, I think, um, coming back on like how much

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structure do you wanna give?

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Uh, it depends also on what people are coming.

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So, right now we also have this in the program, magic moments.

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And that's actually, uh, something that is probably just figuring out what it wants

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to be, maybe just in front, because we figure out what kind of people are coming.

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But also during the program, because a lot of really interesting magical

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moments are actually not something that you can come up with in front.

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And, a magic moment could be a conversation at the dinner table.

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With somebody you don't know.

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much, that's also what you guys say about summer camp.

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It's not about the talks, but it's about the moments in between.

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It's maybe standing in line at the toilet and then having an insight and

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sharing it with the person behind you.

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So we also realize that that's the thing you can't control.

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so we're trying also to, to make enough, uh, we give enough structure

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for somebody who needs to know, like, okay, what kind of workshops can we get?

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Or what can, what can we come and do?

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But also there's in the program magic moments and, and that's, uh,

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something we want to emphasize, that you are on your own to create

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your, uh, your magic over there.

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And, and it's not something that you really have to do.

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We, we really think that's, that's already emerging on itself.

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So we're trying to, to figure out still the balance?

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Yeah.

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Yeah.

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To balance it out.

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Indeed.

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so there's a, as I was thinking is because part of this for me is

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creating safety for the right people.

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And there are some people who don't want structure.

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They want chaos.

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They want anarchy because they really love that space.

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And to other people, that is the worst thing ever.

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And then there's other people who really want a really rigid ba ba,

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ba. And so there's this real kind of, I think what I'm hearing is you're

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talking about paradox, you're talking about, and I hear that as nuance.

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It's like combination of the two, because you want safety as well as act ignition.

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Yeah.

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And, um, so, uh, Thea is also saying like, ma ma magic moments feel like

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living in and noticing through gratitude.

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Like, yeah.

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I think it's also something like understanding what people need to,

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what you need to give to people.

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So it's a lot about creating safe spaces and anarchy can be really,

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uh, cool, but also really violent for some people, as you're saying Carlos.

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And so it's not about, uh, creating as much diffusion for us, but,

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but still also within this anarch anarchy moments, you can create

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certain stability so people can.

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Recognize how they can move around.

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You know, it's like also recognition in how you can behave.

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Uh, giving some building, uh, blocks or stepping stones for

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people, uh, can be enough.

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So, uh, to make it a little bit more tangible, it's like, uh, creating, uh,

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uh, so coming to the rebel, a retreat or the anti retreat to say, to say properly,

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it's, it's like constantly changing.

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Mm-hmm.

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Um, it's like, uh, if you make up, like what, uh, make a, make a a button saying

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like, I'm, uh, I dunno a pirate right now.

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It could be a conversation starter, but it's also a stepping stone to how do

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you move around in the space, you know?

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And then it's not fully, uh, set how, what you, what you're gonna do.

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So, um, we're, we're, we're, we're figuring it out along

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the way and trying stuff.

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Well, the thing I love about this is it's for those that wanna.

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Feel like they're contributing, not just being passive.

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That's what I'm getting from it.

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It's like, choose your own adventure.

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You come along and this ties into all of your work, I think, in terms of this

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liminal space of you're in a space of not knowing, but through that you, you

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could potentially get more value because you're not just, you know, you're not

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just set, sat there passively consuming an experience, listening to talks all day.

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You are actually in it and, uh, moving through it.

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Yes.

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And I thi I also think it's really interesting that we,

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that we are capable persons.

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Everybody's capable of having very intelligent conversations and trusting on

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that is, and making space for that is, is something, uh, what we try to do as well.

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but that's just the talking 'cause we're gonna do a lot of doing.

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Yeah.

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We're actually not gonna talk.

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That's true.

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Okay.

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talking.

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If there's one thing I've

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learned about running events is.

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People think they want structure and then they get there and they, they

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want no structure as car approved when you signed up to Vision 2020.

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so there is something about, I think deep down, we all want space.

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We all want, we don't wanna be told where to be every minute

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to be programmed by the minute.

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We do wanna be able to just have a conversation and sit over

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dinner or move about without, you know, having to be somewhere.

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So there is that balance, I think, isn't there, giving people some certainty

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of what they might get from this experience, but also leaving lots of

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room for emergence in that process.

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Carlos, what are you taking away from this?

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Um, firstly, uh, I'm feeling jealous now because I can't come.

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That's what it's all about.

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Uh, yeah, I, I, I definitely value the, the intention of the space.

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I think it the, if I was going to sell the idea.

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Is is anyone who is on this transition and in a transition of wanting to be

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more creative, maybe they've lived a structured life, but they realize

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they wanna move into a new space.

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And I think about, in my case, the people I'm focused on,

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the, the midlife transition.

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You, you've lived life a certain way, now you wanna change it up, use all of that

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knowledge, but to do something different.

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But that means being creative, finding your inner rebel, finding a new way,

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a new path that breaks a system that you've been well, breaks away from a

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system that you're used to, but you're a bit scared, so you want to be around

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people who kind of feed that energy.

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Mm-hmm.

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Sounds like a great place to do.

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That sounds like the perfect place to, be your inner activist as well.

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Um, and I love the balance of energies that both of you and the honesty

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you're bringing to it as well.

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'cause I think that's, that's gonna be the key part.

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Of people connecting to this event is, is authentic.

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Mm-hmm.

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Uh, and that, that's what people are missing these days.

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Oh, I'm looking forward to looking back to this recording because I think

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the story is even more clear now, uh, that we had a really, nourishing

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conversation that you ask good questions.

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I think we gave good answers to, yeah.

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And also I hope, uh, the right people will find us, uh, and, and by, by this

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nice conversation we're adding to the ripple effect of getting the story out.

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Sometimes we can sound more clear and confident than we feel like we are.

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So yeah, I agree with that.

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Yba, how about you?

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Well, I, I still love it that we're, always fluidly figuring out what

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we're doing and that I still feel that there's lots, lots to learn.

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And that's a journey we started, uh, with a lot of adventures, moments in it.

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Um, I'm taking away that this is a beautiful story to unfold in front of us.

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And the great community as well.

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Happy startup also for you guys, so.

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Thanks for hosting us.

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Not a pleasure and

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supporting.

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We're very happy by the support of everybody.

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So

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so yeah, for me, I'm just excited about the work you're doing.

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Um, I'm doing this course at the moment with Brian, you know, the,

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the songwriter and he talks in that about artists being world makers, like

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creators of worlds and like we were talking about earlier, I just love the

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idea of the world that you're creating and it feels, exciting to be part of.

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I don't even know what I'm doing when I get there.

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So that's also a bit scary but exciting too.

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So there's an element of Jeopardy, which I think I. Creates that, that sparkle

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that you guys talk about so much.

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So thank you for your time.

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Thanks everyone for listening.

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All the engagement in the chat

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Thank you very much.

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Thanks guys.

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Have a good weekend guys.

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Take care.

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Nice one.

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Have a good one.

About the Podcast

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The Happy Entrepreneur